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PDF PMP3000 Data sheet ( Hoja de datos )
| Número de pieza | PMP3000 | |
| Descripción | (PMP1000 - PMP5000) EUROPOWER User Manual | |
| Fabricantes | BEHRINGER | |
| Logotipo |  |
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Hay una vista previa y un enlace de descarga de PMP3000 (archivo pdf) en la parte inferior de esta página. Total 17 Páginas | ||
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www.DataSheet4U.com
User Manual
Version 1.0 November 2006
1 page  
EUROPOWER PMP1000/PMP3000/PMwwPw.D5ataS0hee0t4U.0com
2 CONTROL ELEMENTS
A detailed description of all functions of your power mixer can
be found in the following chapters. Please also refer to the
enclosed sheet with the numbered illustrations to get a good
overview of the control layout.
2.1 Mono and stereo channels
Use the TRIM control to adjust the input gain. Be sure to
set this control fully counter-clockwise before you connect
or disconnect a signal source to an input. TRIM controls
both the microphone and the LINE input. The black scale
shows the microphone gain (+10 to +60 dB on channels
with XENYX MIC PREAMPS and 0 to +40 dB on conventional
microphone inputs; PMP1000 only, channels 5/6 and 7/8).
The “LINE” scale indicates the sensitivity of the LINE input,
ranging from +10 to -40 dBu.
PMP1000: The mono/stereo combination channels 5/6 and
7/8 have a sensitivity of +20 to -20 dBu.
The LEVEL SET LED illuminates when an optimum operating
level has been adjusted.
The mono channels are equipped with a high-slope LOW
CUT filter eliminating unwanted low-frequency signals like
rumble noise.
PMP3000/PMP5000 (stereo channels): Press the A/B button
to switch from 1/4" jacks to RCA connectors, and vice
versa. Position “A” = 1/4" jacks; position “B” = RCA
connectors.
The HIGH control in the EQ section governs the high
frequency range of the respective channel.
Use the MID control to boost or cut the midrange
frequencies.
PMP5000: The PMP5000 has an additional semi-parametric
filter for the midrange frequencies in the mono channels
(tunable from 100 Hz to 8 kHz). Adjust the boost/cut with
the MID control, and the frequency with the FREQ control.
The stereo channels contain a stereo EQ section. The cut-
off frequencies of the high and low bands are 12 kHz and
80 Hz respectively, while the center frequencies of the
high-mid and low-mid bands are 3 kHz and 400 Hz
respectively.
The LOW control allows you to boost/cut the low frequency
range.
With the MON(ITOR) control you can adjust the volume of
each channel in the monitor mix.
The PMP3000 and PMP5000 feature a second MON control
(MON 2) for the volume of the second monitor bus.
The FX control determines the signal level sent from each
channel to the built-in effects processor; this signal is also
present at the FX SEND jack (see ).
The PMP5000 has two FX controls (FX 1 and FX 2), so that
you can use two effects simultaneously. Accordingly, the
PMP5000 also has two effect aux buses, which have one
output jack in common (see and ).
Please note that the effects processor signal will
be inaudible, as long as the FX TO MON/MAIN
controls , ,
are set fully counter-
clockwise.
The PAN(ORAMA) control determines the position of the
channel signal in the stereo main mix.
The BAL(ANCE) control for the stereo channels
corresponds to the PAN control for the mono channels. It
determines the relative volume of the left and right input
signals before they are routed to the stereo main output.
PMP3000/PMP5000: When you press the PFL button (Pre
Fader Listening) the left LED
shows the pre-fader
input gain of the channel. Adjust the optimum input gain (0
dB) with the TRIM control . When PFL is on, the corres-
ponding LED illuminates.
If the LEVEL SET LED
is illuminated constantly, the
signal is within the optimum operating level range. However,
if the CLIP LED indicates that the input gain is too high, you
should reduce the level slightly with the TRIM control. The
CLIP LED should never be illuminated all the time, only with
signal peaks.
The MUTE switch mutes the channel in the main mix. The
pre-fader signals (monitor buses) remain operative. When
MUTE is pressed, the corresponding control LED illuminates.
The channel fader controls the channel signal level in the
main mix.
2.1.1 Input section
Each mono input channel is equipped with a balanced
microphone input (XLR connector) which provides
+48 V phantom power for condenser microphones at the
touch of a button (see rear panel).
PMP1000: The two stereo channels 5/6 and 7/8 have an
additional balanced XLR microphone input with +48 V
phantom power.
Be sure to switch off your audio system before you
activate the phantom power supply to protect your
monitor speakers from switch-on thumps.
Each mono input features one LINE IN connector
(1/4" jack), which can be used with either balanced or
unbalanced signals.
Please remember to use either the microphone or
the line input on a specific channel. Never use both
at the same time!
When you connect a mono line signal to a stereo
channel, always use the left input. The mono signal
will then be reproduced by both sides equally.
PMP1000: This does not apply to the mono/stereo
combination channels 5/6 and 7/8.
INSERT I/O. Insert points or simply inserts are used to
process a signal with dynamic processors or equalizers.
They are pre-fader, pre-EQ and pre-MON/FX SEND. Unlike
reverb and other effects, which are usually added to the
dry signal, dynamic processors usually process the entire
signal. So, aux send buses are not the best solution.
Dynamic processors need to be inserted directly into the
signal path. Once processed, the signal then returns to the
mixing console at the same point where it left. Signal
interruption takes place only if a plug is inserted into the
corresponding jack (1/4" stereo plug: tip = signal output,
ring = input). All mono input channels are equipped with
inserts.
The stereo channels have a TRIM control for gain
adjustment, with the input sensitivity ranging from +20 to
-20 dB.
PMP1000: The stereo channels 5/6 and 7/8 feature an
additional XLR connector for microphones whose gain
can be set from 0 to +40 dB.
Each stereo channel has two line-level inputs (1/4" jacks)
for the left and right channels. If only the jack marked “L” is
used, the channel is mono. The signal will then be
reproduced on both sides.
PMP1000: This does not apply to the mono/stereo
combination channels 5/6 and 7/8.
2 CONTROL ELEMENTS
5
5 Page 
EUROPOWER PMP1000/PMP3000/PMwwPw.D5ataS0heet04U.0com
5 WIRING EXAMPLES
Fig. 5.1: Stereo operation
For stereo operation the POWER AMP switch must be set
to its upper position (MAIN or MAIN L/MAIN R). Outputs A and B
provide the stereo main signal for passive speakers. The preamp
monitor output is connected to two parallel active speakers,
which are used as on-stage monitors. Use the footswitch to
enable/disable the effects processor.
Fig. 5.2: Bridged mono operation
This illustration shows the power mixer with a sub-woofer
connected to OUTPUT B. For a bridged mono operation to
OUTPUT B, the AMP MODE selector switch
must be set to
its lower position “BRIDGE”. A separate stereo power amp
(BEHRINGER EUROPOWER EP1500) connected to the preamp
main outputs delivers the stereo main signal. Two active monitor
speakers for on-stage operation are connected to the preamp
monitor output.
5 WIRING EXAMPLES
11
11 Page | ||
| Páginas | Total 17 Páginas | |
| PDF Descargar | [ Datasheet PMP3000.PDF ] | |
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